Adobe illustrator cs4 crop free download
A collection of insightful tips and guides to help you become a great designer. In подписка windows server 2016 standard terminal services free download тоже article, we’ll take you on a journey explaining the different cropping options Illustrator offers.
When working with raster graphics, designers had to switch between Adobe Illustrator and Photoshop in order to crop an image. But not anymore. And ultimately, we will showcase how other design software apps, like Vectornator, compare with Adobe Illustrator in providing an enjoyable adob workflow. When you’re cropping, the basic goal is to remove unwanted areas from an image.
Just to name some of the most common adobe illustrator cs4 crop free download for wanting to crop an image. There are actually a couple of ways to get around it. Do you want to crop a raster image or a vector image? Do you just want to simply show a part of the image, without cutting anything aka non-destructive croppingor remove the trimmed parts forever destructive cropping?
You can use various methods depending on your needs. Okay, one last thing before we get to the point. Cropping a raster image is not the same process as cropping a vector shape. Pretty impractical if you ask us. But since Creative Cloud, Illustrator offers a simple crop tool as a way to crop raster images. What you need to remember is that vectors offer a lot more freedom when they are cropped, as they remain editable.
In contrast, raster images are cropped into a new shape that cannot be altered unless you crop again. As the title suggests, this is the easiest crop option for an image in Adobe Illustrator CC. But this cropping option is only available for Illustrator CC users. Select your image with the Selection Tool. Then click the Crop Adobe illustrator cs4 crop free download button, – comparable to a mask button – on the upper toolbar. You can crop both linked images and embedded images using this method.
To embed an image file in Adobe Illustrator all you need to do is right-click on it, then press Embed. It is not as easy as the name suggests. If you want to crop a vector in a simple adobe illustrator cs4 crop free download, you can also use their vector Crop tool, which is hidden in the Pathfinder control panel. First, create your shape by using the Rectangle or Ellipse Tool.
Select both objects while making sure that the object you want to cx4 is underneath. The parts outside of the shape will be cropped destructively.
It’s similar to a clipping mask which we’ll explain below. The xrop difference is that this method crops destructively, while a mask will not. That’s why we recommend using masks in all of your cropping ventures.
When cropping, masks are going to be your best friend, so it’s worth paying extra attention here. The best aspect of a clipping mask is that your images can be cropped into any custom shapes you want. Anything from circles, diamonds, hexagons, or the shape of a logo. A clipping mask can take any shape or form. First, you have to create the shape which you want to use as adobe illustrator cs4 crop free download cropping shape.
This is also known as a clipping path. If you have the shape already simply adobe illustrator cs4 crop free download it to your canvas on top of the object you want to crop. Now you can see your cropped читать полностью. First, draw the shape in which you want to crop your image or import a preexisting shape into your canvas and color it black or white.
With opacity masks, white means that the image will be opaque in that area. Black signifies that the part of the image will be completely transparent. Grays indicate a fade from opaque to transparent or a gradient. Select both the image and the shape. A new panel will appear.
There you will have to click Make Maskbut make sure the Gree checkbox is activated. To crop an image in Illustrator you can also go for the quick and dirty Adobe illustrator cs4 crop free download Artboard alternative. This will only work with rectangular crops, of course. Your graphic is still pretty much whole on the page, just outside the edges of the На этой странице. The method is xownload simple.
Click on the Artboard icon and change its shape to the area you want to crop. Then export the file! The process is much simpler than it might sound initially. Create a shape that covers the entire size of your image by using the Rectangle Tool.
This will adobe illustrator cs4 crop free download that the aspect ratio is maintained. Vectornator is – like Illustrator – a vector-based tool. Using the Clipping Mask function in Vectornator gives you unlimited options to crop your image. We will give you the freedom to crop your image into any shape or form you want with Vectornator!
Concerning the aspect of navigation and UI, Vectornator and Illustrator look very different. Even as a mid-level user, you still might find yourself googling for answers on how to use the software when your mind should be focused on designing instead.
When a design tool needs so many steps, shortcuts, and hidden functions in order for it to be functional at a basic level, something needs to change. Vectornator possesses a very simple and intuitive interface. No hidden menus, or unnecessary clutter. Even a beginner will be able to navigate the interface very easily.
The app has a very flat learning curve. Our goal while adobe illustrator cs4 crop free download the app was to make it easily accessible for beginners, but with an adobe illustrator cs4 crop free download to perform on a professional level. You can crop a raster-based image in Vectornator by using the Mask function. There are several benefits when dwonload this technique:. In Vectornator, any shape that is a closed path can be turned into a clipping mask. The possibilities to create a shape for a clipping mask are unlimited in Vectornator.
Let us explain to you in a few simple steps how you can crop a raster-based image in Vectornator by using the Masking Technique:. Select the Shape Tool in the Toolbar. Set the cw4 of polygon sides нажмите для деталей five with the Tool Slider.
Click and drag on the canvas to create the shape. Use the Selection Tool to move, scale, and rotate the Polygon Shape.
Select the vector masking shape and move it to the bottom of the layer stack in the Layers Tab, below the imported raster image. Position the masking vector shape on the canvas. The ddownload raster image is now only visible within the boundaries of the masking shape. The masking layer now displays a tiny mask symbol, and the masked layer is linked to the masking layer with a dependent arrow.
Now that we have established the clipping mask structure, you can still downloaf the mask by selecting and moving the masking adobe illustrator cs4 crop free download around or by editing the masking shape with the Node Tool, as the clipping mask feature in Vectornator is a non-destructive operation.
Expand your skills and tackle the next challenge, our i,lustrator and courses will help you to master vector design on a professional level.
Stay up to date with our news, blog posts, and announcements by subscribing illustfator our Newsletter. Use Cases. Learning Hub. Getting Started. Text Link. If you’re trying to learn how to use Vectornator, then dwonload page is for you!
Here, you’ll find everything you need to know how to use No results found. Workflows A collection of insightful tips and guides to help you become a great designer. How to Crop in Illustrator In this article, we’ll take you on a cownload explaining the different cropping options Illustrator offers. Cropping in Adobe Illustrator seems to be a bit of adobe illustrator cs4 crop free download confusing topic.
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How to Crop in Illustrator – Adobe illustrator cs4 crop free download
The book begins with coverage of fundamental concepts and progresses to in-depth explorations of the software’s full set of features, making this a turnkey solution that offers everything you need to know about Illustrator CSX. With added material on all the updates – including the enhanced Crop and Eraser tools, the improved color-handling abilities, and the revolutionary Live Color feature – this edition explores the new while retaining the step-by-step tutorials and user-friendly design that made previous editions so successful.
Previous page. Delmar Cengage Learning. Publication date. Print length. See all details. Next page. About the author Follow authors to get new release updates, plus improved recommendations. Chris Botello. Brief content visible, double tap to read full content. Full content visible, double tap to read brief content.
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There are 0 reviews and 0 ratings from United Kingdom. Your recently viewed items and featured recommendations. It takes only a few steps and is super easy to perform, even for inexperienced users. The Clipping Mask function in Vectornator gives you unlimited options to crop your image. We will give you the freedom to crop your image into any shape or form you want with VectoRegarding.
Regarding navigation and UI, Vectornator and Illustrator look very different. Even as a mid-level user, you still might find yourself googling for answers on how to use the software when your mind should be focused on designing instead.
Something needs to change when a design tool needs so many steps, shortcuts, and hidden functions to be functional at a basic level. Vectornator possesses a straightforward and intuitive interface.
No hidden menus or unnecessary clutter. Even a beginner will be able to navigate the interface very quickly.
The app has a very flat learning curve. Our goal while designing the app was to make it easily accessible for beginners but with the ability to perform professionally. You can crop a raster-based image in Vectornator by using the Mask function. There are several benefits when using this technique:. In Vectornator, any shape that is a closed path can be turned into a clipping mask.
The possibilities to create a shape for a clipping mask are unlimited in Vectornator. Let us explain to you in a few simple steps how you can crop a raster-based image in Vectornator by using the Masking Technique:. Select the Shape Tool in the Toolbar. Set the number of polygon sides to five with the Tool Slider. Click and drag on the canvas to create the shape.
Use the Selection Tool to move, scale, and rotate the Polygon Shape. Select the vector masking shape and move it to the bottom of the layer stack in the Layers Tab, below the imported raster image. Position the masking vector shape on the canvas. The imported raster image is now only visible within the boundaries of the masking shape.
The masking layer now displays a tiny mask symbol, and the masked layer is linked to the masking layer with a dependent arrow. Now that we have established the clipping mask structure, you can still edit the mask by selecting and moving the masking shape around or by editing the masking shape with the Node Tool, as the clipping mask feature in Vectornator is a non-destructive operation. The barrier to producing your own comic is lower than ever. But how do you monetize it? We show you how to turn your artistic talent into revenue.
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Your email is never shared. Blog Home Learn. Tutorials Education. Get Vectornator. Marion Gerlinger. How to Crop in Illustrator. Related articles. How to Make Money from Online Comics. How to Never Reach Creative Burnout.
Design Tips How to Crop in Illustrator. Cropping in Adobe Illustrator seems to be a bit of a confusing topic. Image source: design. Clipping masks are a non-destructive operation and do not delete the unwanted area in a clipped image.
Instead, that part of the image is hidden. If your crop needs an adjustment, all you need to do is move the image below the clipping mask. Be mindful that the order of the objects is very important. The object on top will become the clipping path for the object underneath. Pro Tip — if you want to preserve your transparent background, always export your image in the PNG file format. The JPEG format does not support transparency. If you want us to implement a Crop Tool in Vectornator, you can upvote your request in our Community Forum.
Since our 4. Download Vectornator to Get Started Take your designs to the next level. Download Vectornator. What to read next. How to Never Reach Creative Burnout Has stress taken its toll on your creative work and mental health?
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Guides can display as either lines or dots and in any color. N To lock and unlock guides, select View Guides Lock. Snap to Grid When grids are visible, you can specify that Illustrator snaps objects to the gridlines when repositioning objects in the workspace. The grid need not be horizontal! Once you click OK to close the dialog box, the grid will display at the new angle.
So awesome! Smart Guides Smart Guides are visual aids that assist you with the creation, placement, alignment, transformation, and editing of objects. You can then drag objects to the desired position in the workspace and have them snap into place when the mouse pointer moving the object gets within 2 pixels of the anchor point.
You can actually feel the snapping occur with your mouse! The default full-color view of your page is called Preview mode. You can change this view to Outline mode so you see only the outlines, or paths, of your work without any color, gradients, or patterns applied to the fill or stroke.
To switch from Preview to Outline mode, select View Outline. To return to Preview mode, select View Preview. Figure shows an object in both Preview and Outline mode. Print Tiling Tool The Print Tiling tool, located in the flyout menu under the hand tool on the Tools panel, lets you adjust the printable area of your artboard, which by default matches the size of the artboard s minus any margins as specified by your chosen printer.
To adjust the printable area, select the Print Tiling tool and click the artboard. Any work that falls outside these printable area guides will not be printed. With multiple artboards, each artboard has its own page tiling printable area that can be adjusted with the Print Tiling tool.
The Bridge can be launched from any Adobe CS software application and supports both native Adobe and nonnative file formats. When the Bridge opens, use the Folders panel on the left side of the application to browse for and find folders and files on your computer. The Content panel in the center of the Bridge will display thumbnail views of your files inside the selected directory.
This is a wonderfully powerful program that can streamline your work process and perform tasks such as batch renaming files, let you apply star label ratings to your files, preview files in a Slide Show format, and much more. When the page opens in your browser, click the Adobe Bridge link on the left to expand the navigation menu. Then click the Working With Adobe Bridge link to begin learning more about this useful tool. The Shape Tools Making shapes in Illustrator is incredibly easy to do!
In fact, all of the shape tools work in a similar fashion, so once you learn how to use one, you can apply those same skills to the rest. The shape tools are all located in the flyout menu under the Rectangle tool.
How to Do Everything: Adobe Illustrator CS4 Because Illustrator is a vector-based program, all the shapes are drawn mathematically, which means you can alter the size of them as often as you like without any loss of resolution. You can even do things like enter the size of the shape in one unit of measure, such as inches, and have Illustrator automatically convert those units into another unit of measure, such as pixels. Once shapes are created, you can modify their strokes and fills and further transform them with the other tools.
Figure shows a star can be transformed into something new. For best results, use the following guidelines when working with the shape tools:. Once the origin is set, drag in any direction to create the desired shape. For instance, drag up or down to create a tall shape, drag to the side to create a wide shape, or drag diagonally to create a more proportioned shape. The SHIFT key also constrains the paths and objects created by the other shape, pen, and line tools by aligning them to the artboard as you drag, or by ensuring the objects conform to or degree angles.
N Creating shapes with exact measurements To create shapes with precise dimensions, select the desired shape tool on the Tools panel and click once on the artboard without dragging. You can see these anchor points and paths as blue lines and blue dots around the edges of any selected object, like the example in Figure The Rectangle Tool Use the Rectangle tool to draw rectangular and square shapes with hard-edged corners.
Once you understand how to draw this shape, you can apply the same techniques for drawing shapes with the other tools. Select the Rectangle tool on the Tools panel. Click and drag your cursor diagonally on the artboard to create the desired shape.
Release your mouse to add the shape to the artboard. In new, blank documents, the Stroke and Fill colors are set to a default white fill with a black 1-pt stroke. When you need to create a rectangle or square using exact width and height measurements, select the Rectangle tool and click once on the artboard, without dragging, in the spot where you want the upper left corner the point of origin of your rectangle to be.
Enter the new desired Width and Height along with the desired unit of measure abbreviation, such as 3. Click the OK button. The new shape will be added to the artboard with the same stroke and fill attributes displaying in the Fill and Stroke boxes at the bottom of the Tools panel. To create a rounded rectangle, select the Rounded Rectangle tool on the Tools panel and click and drag your cursor diagonally on the artboard to create the desired shape.
Before you release your mouse, adjust the corner radius of your shape, if desired, by pressing the arrow keys on your keyboard: UP increases the corner radius, DOWN decreases the corner radius, LEFT removes the corner radius to create square corners, and RIGHT adds the maximum amount of curviness to create super-rounded corners.
Figure shows examples of some rounded rectangles with different corner radius sizes. To create a rounded rectangle with a precisely sized corner radius, select the Rounded Rectangle tool and click the artboard. Enter the desired Width and Height with the abbreviated unit of measure, such as 1 in, and then enter the desired Corner Radius size with unit of measure, such as 12 pt or 0. Click the OK button to add the new shape to your artboard.
Once you create a shape, though you can edit it with other tools, there is no way to re-open the rounded rectangle radius dialog box to make precise adjustments to the corner radius.
Instead, your options include either creating a new shape with the desired dimensions and corner radius and deleting the old shape , or using a Convert To Shape effect, which can modify any shape into a rectangle, rounded rectangle, or ellipse. To modify a shape using the Convert To Shape effect, select the object to be modified and open the Shape Options dialog box by choosing Effect Convert To Shape and then selecting a shape such as Rounded Rectangle from the submenu.
When the dialog box opens, select Absolute to precisely resize the shape, or choose Relative to modify the size of the shape by adding extra width and height. When applicable, enter the desired Corner Radius. To preview the shape effect, check the Preview checkbox. To accept the transformation, click the OK button. To reject it, click Cancel. The Ellipse Tool When you need to draw a circle or oval shape, select the Ellipse tool and click and drag on the artboard to create the desired shape.
Then, release the mouse to add the shape to the artboard. To create circles and ellipses with exact measurements, select the Ellipse tool and click without dragging on the artboard to open the Ellipse dialog box.
Enter the desired measurements in the Width and Height fields, along with the unit of measure. For perfect circles, input the same unit, such as 1 in, in both the Width and Height fields. Click OK to add the shape to your artboard. The Polygon Tool To draw polygons with three or more sides, select the Polygon tool and then click and drag on the artboard to create the desired shape.
Before you release your mouse, you can add or subtract. When the shape meets your needs, release your mouse to add the polygon to your artboard. To create polygons with exact measurements, including the desired number of sides, select the Polygon tool and then click, without dragging, on the artboard to open the Polygon dialog box.
Enter a radius with the desired unit of measure, such as 2 in, enter the number of sides for your polygon in the Sides field, and click OK to add the polygon to your artboard. The Star Tool With the Star tool you can draw stars with three or more sides and with any length inner and outer radius for the points. To create a star, select the Star tool, and then click and drag on the artboard to create a star shape.
Before you release your mouse, use the following keyboard shortcuts to add or subtract points as well as increase or decrease the length of the points and center of the star:. When the star has the shape you want, release your mouse to add the shape to your artboard. To draw a star that is perfectly sized with an exact number of points, select the Star tool and click without dragging on the artboard to open the Star dialog box. Enter the desired units and the unit of measure in the Radius 1 inner radius , Radius 2 outer radius , and Points number of points fields.
Then, click OK to add the star to your artboard. Figure shows a sample of the variety of shapes you can create with the Star tool. The Flare Tool The Flare tool creates the illusion of a lens flare.
To use the Flare. Release the mouse to add the shape to your artboard. For example, Figure shows how different flares look by themselves and on top of other objects. To customize the properties of the flare shape, select the Flare tool and click without dragging on the artboard to open the Flare Tool Options dialog box. Enter the desired settings to the Center, Halo, Rays, and Rings fields. For best results, enable the Preview checkbox to see the adjustments before you apply them.
When satisfied, click the OK button to add the flare to your artboard, and then reposition the object as needed using the Selection tool.
The Line Segment Tools Drawing line segments with a vector tool is much simpler than trying to draw them by hand. The Line Segment Tool To create a horizontal, vertical, or diagonal straight line, select the Line Segment tool, click and drag on the artboard, and release the mouse to add the line segment to your artboard.
To draw a line with precise dimensions, select the Line Segment tool and click the artboard to set the point of origin for the line and launch the Line Segment Tool Options dialog box. Enter the desired length and angle for the line. If no stroke color is specified in the Tools panel but a fill color is, click the Fill Line checkbox to fill the line with the current fill color.
Leave it unchecked to fill the line with the color specified for the stroke. Click OK to add the line segment to your artboard. The Arc Tool Use the Arc tool to draw curved line segments. To draw an arc, select the Arc tool from the Tools panel, click the artboard, and drag to the desired length. After you release your mouse, the arc will be added to the artboard. Enter the desired arc attributes:. N Length X-Axis Enter a number to set the arc width.
N Length Y-Axis Enter a number to set the arc height. N Reference Point Click a corner square in the reference point locator to set the point of origin for the arc. When satisfied, click OK to add the arc to the artboard. Figure shows examples of an open arc, an open arc with fill, and a closed arc with fill.
The Spiral Tool To create spirals quickly and easily, select the Spiral tool and do one of the following:. N Click and drag on the artboard to draw and rotate the spiral. Release the mouse to add the spiral to the artboard. N Click without dragging to set the point of origin for the spiral while opening the Spiral dialog box. Enter the. N Decay Set the decrease in distance between one spiral and the next.
N Segments Set the number of spiral segments. Each spiral twist is made up of four segments. The selected spiral in Figure has ten segments. The Rectangular Grid Tool With the Rectangular Grid tool you can create horizontal and vertical grids with any number of rows and columns. To draw a grid, select the Rectangular Grid tool, click the artboard, and drag out the desired grid shape.
Before releasing the mouse, adjust the number of rows and columns using your arrow keys. To create rectangular grids with exact proportions, select the Rectangular Grid tool and click the artboard to set the point of origin for the grid and to open the Rectangular Grid Tool Options dialog box. Enter the desired grid settings and when satisfied click OK to add the grid to your artboard:. N Horizontal Dividers Set the number of horizontal dividers to create rows.
Enter a Skew number to weight the dividers toward the top or bottom of the grid. N Vertical Dividers Set the number of vertical dividers to create columns.
Enter a Skew number to weight the dividers toward the left or right of the grid. N Use Outside Rectangle As Frame This option draws the grid frame with a separate rectangle shape rather than with individual divider lines.
Create a polar grid by selecting the tool and clicking and dragging on the artboard. As you can see in Figure , grids can range from the simple to the complex. To create a polar grid with more exact measurements, select the Polar Grid tool and click the artboard to set the point of origin for the grid and to open the Polar Grid Tool Options dialog box.
Enter the desired grid settings, and then click the OK button to add the polar grid to the artboard:. Edit the Skew to weight the dividers clockwise or counterclockwise.
N Create Compound Path From Ellipses This option draws each circle with its own compound path and fills every other circle with the specified Fill color.
Editing Lines and Shapes After drawing a shape, you can change the color of the stroke and fill, the weight of the stroke, and the shape of the line or path of an object. Colors can be applied with swatches from the Swatches and Color Guide panel, as well as from the Color panel. Stroke properties are made with the Stroke panel. Select the object. Make either the stroke or fill active by clicking the Stroke or Fill box at the bottom of the Tools panel, or inside the Color panel. Change the color using one of the following methods:.
N Select a swatch from the Swatches or Control panel. N Double-click the Stroke or Fill box to open and select a color from the Color Picker dialog box also covered in Chapter 9. To apply a color, click inside the Select Color area to select a color, and then click the OK button. The Stroke Panel The Stroke panel is where you can modify the strokes applied to your objects.
N Miter Limit When the length of a stroke point join is greater than or equal to four times the stroke weight, the miter join automatically converts to a bevel join.
Adjust the limit, which is set to 4 by default, to override this setting. Figure shows examples of each. N Dashed Line Click this checkbox to create a dashed or dotted line instead of a solid line. Use the dash and gap fields to create patterned or irregularly patterned dashed lines.
Combine with cap and join buttons to create rounded or flat dash edges. For example, to create a dotted line, like the one shown in Figure , select Dashed Line, input a 0 pt dash and an 8 pt gap, and then click the rounded caps button.
The Cutting Tools Illustrator has two cutting tools, the Scissors and Knife, which can be used when refining and altering objects. These tools should not be confused with the Slice tools, which are used for creating web graphics and will be covered in Chapter The Scissors Tool The Scissors tool lets you cut along a segment or anchor point but not an endpoint of a selected object and creates open shapes and paths. For example, if you make two cuts along the path of a circle, you can then detach that segment from the whole, as shown in Figure The Knife Tool The Knife tool cuts into objects and paths, both with and without object selection, and creates closed shapes.
Cut objects take on the stroke and fill attributes of the original object. When one or more objects are selected, only those objects can be cut into with the Knife. However, if no objects are selected, the Knife will cut into any object or path that falls under the cut line. Figure shows how a set of objects looks before being cut, when none of the objects are selected as the knife slices through them, and when just the star shape is selected as the knife slices through them.
The next step is to learn how to select an object, or part of an object, so you can edit and manipulate it. The Selection Tools Each of the Selection tools lets you select an entire object, or part of one, to make edits. The tools are mostly located at the top of the Tools panel, with the exception of the Eyedropper tool, which is located a little further down.
Fortunately, Illustrator has a shortcut that toggles the currently selected tool with the Selection tool, and this shortcut is even more efficient than changing tools from the Tools panel or using the tool shortcut key such as B for the Paintbrush. Use the dropdown menu or Next button to select the Selection and Anchor Display options and adjust the settings. When finished, click OK to close the dialog box. The Selection Tool Use the Selection tool the black arrow to select an object in any of the following ways:.
N Click the desired object. N Click and drag a selection marquee around the desired object s or path s and then release the mouse. Isolation Mode Isolation Mode, which will be covered in greater detail in Chapter 7, is used to modify objects in a group, or grouped objects nested inside another group. Make changes to the objects as needed. To exit Isolation Mode, either doubleclick with the Selection tool on an empty space of the artboard, select Exit Isolation Mode from the context menu, or click the gray arrow, like the one shown in Figure , at the top of the document workspace.
The Direct Selection Tool Clicking with the Direct Selection tool lets you select the anchor points or path segments of any object. You can then reposition those parts separate from the rest of the object. When you click. However, when you click the fill of a filled object, the entire object gets selected. Figure illustrates how a selected anchor point on a star and a selected path on a circle look before and after being moved with the Direct Selection tool.
A selected anchor point appears as a small solid-blue square. By contrast, unselected anchor points on a selected object appear as hollow blue squares. When selecting multiple paths, unfortunately there may not always be a clear visual indication of which paths are selected. Nonetheless, after selecting multiple paths, you can still click and drag any one of them to move them all at once.
With grouped objects, use the Direct Selection tool to select one or more objects within a group. The Group Selection Tool The Group Selection tool selects objects within a group, groups within nested groups, or multiple groups in the open document.
You can also use it to select individual objects inside a blend, clipping mask, or compound path more on those in Chapters 15 and To make a selection with this tool, do one of the following:. N Click an object once in a group to select just that object. N Double-click an object to select the parent group.
Three clicks select both the nested group and the parent group. Figure illustrates what a single-, double-, and triple-click looks like when selecting an object, group, and nested group with the Group Selection tool.
Additional clicks will continue adding groups to the selection. Once all the objects or groups are selected, manipulate them as desired, and then click away from the objects to deselect them.
If the panel opens minimized, with just the Fill option showing, click the double-sided arrow next to the panel name to expand the panel. For each of the settings, the tolerance setting determines how similar or dissimilar the individual properties are when making selections.
A high tolerance, for example, selects more objects within the range of properties as the original object, while a low tolerance selects fewer objects. Customize the settings as desired, and when finished, close the panel. All your settings adjustments will remain in place until you change them again. When selecting with the Magic Wand tool, do any of the following:. N Create a selection Click an object with the properties you desire once, and all objects with matching properties will be selected.
The Lasso Tool One of the simplest selection tools, the Lasso, selects any objects that fall inside an invisible selection shape or path you draw with this tool. Try it! The Eyedropper Tool Like the Magic Wand, the Eyedropper tool works by looking at the properties of the selected object s.
However, unlike the Magic Wand, the Eyedropper has the ability to both pick up and apply object attributes, including character and paragraph styles for text! To pick up and apply properties from one object or text to another with the Eyedropper tool when no objects on the artboard are selected, click an object to copy its properties.
As you click, the dropper icon suddenly looks like it has ink inside it! When hovering over text, the dropper icon includes a tiny T. By default, the Eyedropper copies all the properties in a selection. To refine the selection characteristics, edit the settings in the Eyedropper Options dialog box, which can be opened by double-clicking the Eyedropper tool.
When finished, click the OK button to close the dialog box and begin using the new eyedropper options. You can sample RGB colors from anywhere outside the open file, even on your desktop. The sampled color will appear as the stroke or fill in your Tools panel, ready for you to apply it to another object using any of the methods just described.
The Select Menu Use the items in the Select menu to quickly access objects in your document. Objects can be selected, reselected, deselected, and inverted, as well as saved and reloaded for later use. Platformspecific Win or Mac keyboard shortcuts, when applicable, are. N All In Active Artboard Selects only the objects and paths on the active artboard in the open active document. N Next Object Above Selects the next object above a selected object, relative to their stacking order on the artboard.
N Next Object Below Selects the next object below a selected object, relative to their stacking order on the artboard. N Same Selects all the objects that have the same attributes as a selected object. N Save Selection To save a selection for later reuse, select any combination of objects in your file and choose this option.
When the Save Selection dialog box opens, enter a name for the selection and then click OK. Make and save as many selections as you like. Saved selections are listed at the bottom of the Select menu for easy access.
N Edit Selection Rename or delete any of your saved selections in the Edit Selection dialog box, which opens when you select this option. The Pencil Tool The Pencil tool works just like having a pencil in your hand, only you control it with your mouse or with a graphics-tablet stylus if you happen to have a nifty graphics tablet, such as the Graphire from Wacom.
After releasing your mouse, the path is drawn with anchor points at the start and end points, as well as along the curves of the path. The actual number of points on the path depends on the intricacy and length of the line and the settings in the Pencil Tool Options dialog box, which can be opened by double-clicking the. Paths automatically take on the last-used stroke and fill, though once drawn, the color and other properties of the paths can be altered and refined with the other tools.
To watch a video on drawing with the Pencil tool, visit www. However, when the pencil is in close proximity to another actively selected path, the x will disappear and any new drawing with the Pencil will result in the alteration of that selected path, as illustrated in Figure To make a closed path, draw out the desired shape with the beginning and end points at roughly the same spot.
Try it and see for yourself how it works. Figure shows how the cursor should look when creating a closed path. The Pencil is also a very handy editing tool! With it, you can modify any existing selected path or shape, and even connect two separate paths together:.
N Edit a selected shape Draw anywhere on top of the path of a selected shape to redraw that segment of the shape, as in the example in Figure When a merge icon appears next to the icon as seen in Figure , which is a visual indicator that you can successfully connect the paths, release the mouse, and then release the keyboard shortcut. The smoothing process is pretty straightforward.
Select the object to be smoothed. Then, select the Smooth tool. Repeat step 2 until the line has the desired quality. The resulting line will be much smoother and will contain fewer anchor points along the path.
Figure shows an example of a path before and after smoothing. To adjust the amount of smoothing, double-click the Smooth tool to open the Smooth Tool Options dialog box. The Fidelity controls the distance the cursor must be from the original path before it adds new anchor points, and the Smoothness dictates how much smoothing the tool applies.
Higher values result in a smoother path. For an alternate way of smoothing paths without removing anchor points on a selected object, try the command: Object Path Simplify.
Make sure the Preview option is checked so you can see the results. Figure shows an example of a path before and after using the Path Eraser tool. The Eraser Tool Unlike the Path Eraser tool, which is really limited to erasing the paths of selected objects, the Eraser tool can erase pretty much anything including paths, fills, objects made up of compound paths or inside clipping paths, and even paths inside Live Paint groups.
The Eraser works slightly differently when objects are selected versus when there are no objects selected on the artboard:. N Erasing without selections To erase anything on the artboard, regardless of stacking order or placement on individual layers, first make sure no objects on the artboard are selected, and then choose the Eraser tool and drag across the area to be erased. N Erasing with selections To erase a specific object or set of objects, while leaving all other objects on the artboard untouched, select the object s before selecting the Eraser tool, and then drag across them to erase the desired parts.
The leaves in Figure illustrate how easily objects can be modified with the Eraser. In addition to erasing freehand with the preceding methods, you can also erase creatively using the following keyboard shortcuts:. Figure demonstrates a constrained degree-angle erasure. When you release the mouse, everything inside the marquee disappears!
If you happen to be using a graphics-tablet stylus, you can also adjust additional eraser settings, including fixed, random, pressure, stylus wheel, tilt, bearing, and rotation. The Paintbrush Tool The Paintbrush tool lets you add personality and style to your work by stylizing the paths you create.
You can use four different types of paintbrushes in Illustrator shown in Figure , each of which create unique styles of brush strokes:. N Calligraphic Brush Styles paths with an angled point, like a calligraphic pen. Stroke color is applied evenly along the center of the path. N Art Brush An object or shape such as a decorative banner or watercolor splash is stretched along the length of a path. N Pattern Brush Patterned tiles conform to, and are repeated along, the length of a path.
Each pattern brush can include up to five tiles, representing the inner and outer corners, start, end, and sides of the pattern. The style of the brush stroke can either be applied to a path as you draw on the artboard with the Paintbrush tool, or applied separately to any existing selected path through the Brushes panel.
To paint with a preset brush stroke, click the desired stroke in the Brushes D panel, select the Paintbrush tool from the Tools panel, and begin drawing a path on the artboard.
To apply a brush stroke to an existing path, select the object s on the artboard and then click the desired brush stroke in the Brushes panel. In addition, the panel has several buttons and menu options to assist you with selecting and applying strokes:. N Remove Brush Stroke Click here to remove a special brush stroke from any selected object or group of objects and replace it with the default 1-pt black stroke.
N Options of Selected Object Click to access the Stroke Options dialog box for any selected object, and change the stroke of that object without updating the original brush. When the dialog box opens, make adjustments as needed to modify the stroke. The dialog box looks slightly different depending on the brush type, and contains the same settings used to create the brush.
N New Brush Click to create a new custom brush. N Delete Brush Select a brush in the Brushes panel, and then click the trash icon to delete that brush. You may also delete brushes by dragging and dropping them into the trash.
Creating a Custom Brush You can create four custom brush types, each of which has its own Stroke Options dialog box with custom settings. Before you begin, keep in mind the following:.
N For scatter, art, and pattern brushes, you must make the artwork for the brush before you create the brush. N For art and pattern brushes, the artwork for the brushes cannot include working type. N For pattern brushes, you can create up to five tiles of patterns, for the inner and outer corners, start, end, and sides of the pattern. All the tiles must be added to the Swatches panel as patterns before creating the brushes. N For all brushes that use artwork, the art cannot contain gradients, blends, mesh objects, graphs, placed files, bitmap images, masks, or other brush strokes.
N After a brush has been added to the Brushes panel, you can modify the brush settings through the Brush Options dialog box by double-clicking the brush. To create calligraphic or pattern brushes, click the New Brush button on the Brushes panel.
To create art or scatter brushes, select the art before clicking the New Brush button. Select a brush type in the New Brush dialog box and click OK. In the Brush Options dialog box, name your new brush and adjust the settings as desired. Click OK to add the new brush to the Brushes panel.
Custom Calligraphic Brush Create your own calligraphic brush using the settings in the Calligraphic Brush Options dialog box:. N Angle Sets the brush angle of rotation. Enter a number in the Angle field or drag the arrow in the preview window.
N Roundness Sets the brush roundness. Enter a number in the Roundness field or drag a black dot in the preview window. N Diameter Sets the diameter of the brush. Enter a number in the Diameter field or drag the slider. N Random The brush has a random angle, roundness, or diameter. For instance, a brush with a 10 pt diameter and a 10 pt variation results in a diameter of anywhere between 0 and N Pressure Stylus Users Only The brush has a varied angle, roundness, or diameter set by the pressure applied by a graphics-tablet stylus, based on the value entered, when applicable.
N Tilt Stylus Users Only The brush has a varied angle, roundness, or diameter set by tilt of the graphics-tablet stylus. N Bearing Stylus Users Only The brush has a varied angle, roundness, or diameter set by pressure and tilt applied with the graphics-tablet stylus. N Rotation Stylus Users Only The brush has a varied angle, roundness, or diameter set by the rotation of the graphics-tablet stylus pen tip.
N Scatter Controls how closely objects follow the path. N Rotation Controls the angle of rotation of the objects. N Rotation Relative To Sets the angle of rotation for objects, which can be scattered relative to the path or the page. These settings are identical to the settings of the Calligraphic brush. N Direction Sets the direction the artwork will flow in, relative to the path. Click on one of the arrow boxes to set the direction for the artwork.
N Tile buttons Apply different patterns from the Swatches panel to different parts of a path, as shown in the example in Figure Select each tile to set the pattern from the listing below the tiles.
The patterns for the tiles must be rotated in the proper direction and then added to the Swatches panel before you create this type of custom brush. See Chapter 12 for more on creating patterns. N Fit Sets how patterns are stretched to fit along the path. Stretch To Fit adjusts the length of a pattern to fit the path of the object. Add Space To Fit inserts empty space between the tiles so the pattern fits proportionally along the path. Approximate Path adjusts tiles to the closest path without altering the tiles by applying the pattern inside or outside the path to keep tiling even.
Colorization Options The stroke color appearing in the Stroke box of the Tools panel at the time a stroke is applied with a scatter, art, or pattern brush, along with the colorization method set in the Brush Options dialog box, determines how the stroke appears when it gets applied to a path. The following options are the same in Scatter, Art, and Pattern brushes:. N None Select this option to keep the colors specified in the brush, rather than overriding them with colorization settings or modifying them using the current stroke color.
N Tints Alters the brush stroke with tints of the stroke color. Black is replaced with the stroke color while all other colors are replaced with tints of the stroke color. This method works well with spot colors. N Tints And Shades Alters the brush stroke with tints and shades of the stroke color. Blacks and whites in the brush stay black and white, while everything else gets converted to a blend of the stroke color from black to white.
Works best with grayscale brushes. To edit the key color, click the eyedropper icon and then select a new key color from the art preview area of the dialog box. For visual assistance in selecting the desired colorization method, click the lightbulb icon next to the Key Color box to open the Colorization Tips dialog box.
Libraries are organized into several different categories to assist you in finding what you need. Categories include Arrows, Artistic, Borders, Decorative, Default, and User Defined, for accessing any custom brushes you create yourself. How to Do Everything: Adobe Illustrator CS4 Once you select the desired library to open it, the library opens as a floating panel in your workspace. Each successive library opened after that will be added as a tab to that floating library panel.
To use a brush from any open library, click the desired brush before selecting the Paintbrush tool. Closed panels can then be reopened at any time by using the Brush Libraries button. The Blob Brush is a new tool in CS4 that is really quite remarkable. Different from the regular Paintbrush tool, which creates paths with brush strokes applied to them, the Blob Brush paints objects as a single filled closed path!
For example, take a look at the shape in Figure What started out as an oval has quickly turned into the beginnings of a little bug shape with the addition of a few strokes applied with the Blob Brush. With the Blob Brush tool, each overlapping brush stroke creates new parts to a single combined, or compound, shape.